Showing posts with label Tasmanian artist. Show all posts
Showing posts with label Tasmanian artist. Show all posts

Saturday, 16 May 2009

Tea with Friends...

I've decided to start featuring friends on this blog, and ask them to contribute images of their tea cosies, teapots, their most comfortable place to take tea...and any comments and information they would like to contribute.

This post is dedicated to the very talented Monique Germon and her new home in Bundanoon, NSW.


'Afternoon tea at my place consists of lighting the fire, making tea and either talking
to a friend or writing or reading a letter to/from one of my three pen pals;
Olga - an 89 year old Russian ex-mid wife, Sally - artist, writer & twin sister by fate
and Oliver - age 9 going on 29, residing in Stanley, Tasmania.'


A little background info on Monique:
Monique Germon is a hybrid artist-designer who works primarily under an idea-based practice of story-telling. This practice translates through photography, writing, design & installation often incorporating contradiction, irony and a tragicomic perspective. Her work nestles in amongst Humanist & Existentialist philosophies, mostly honing in on the constraints that accompany the prejudices of personal narratives. Monique currently lives & works between The Southern Highlands, Sydney (NSW) & Hobart (TAS).

Monique and I are in an exhibition titled 'Crafty', curated by Cat Badcock, which opens near the end of June 2009.

Monique also has a blog, Public Office where she investigates and expresses her passion for music, art, literature, correspondence, fashion and life, and the connections between these disciplines and a sense of place and geographical location.



I'm a huge fan of Monique's clothing also, and wear her divine antique mangle-cloth skirts based on Victorian-era work clothes...Monique's skirts are real treasures, total staples and I always feel great when I wear them!



The red knitted tea cosy was a gift I gave Monique after I had an exhibition in conjunction with Bundoora Homestead's Tea Cosy Exhibition and auction for the Cancer Council in 2008, and just seemed perfect for Monique's aesthetic...I'm glad it fits her teapot! It's so wonderful sharing the tea cosy love around...I can't wait to do another tea cosy giveaway!!



Friday, 24 April 2009

ANZAC Day, (Deloraine) Tasmania 2009

Today is the 25th of April and possibly one of the most important days of the year for Australians, especially in terms of patriotism and history.
Today is ANZAC Day.

As part of an exhibition curated by Cat Badcock (distant relation!), titled 'Crafty', showcasing the work of artists using craft techniques to social commentary and activism:

Brief Project Background:
"With the rise of revolutionary knitting circles, stitch ‘n’ bitch craft groups and
renegade craft fairs, there has been a significant rethink of craft as domestic
imprisonment. Craft is now synonymous with sustainability, a stance against
mass culture and consumerism.

Craftivism is formed on the belief that ‘each time you participate in craft you
are making a difference...whether it’s fighting against useless materialism or
making items for charity’.

Craft collectives hope to increase participation in craft activism by offering a
different approach from the often intense, and sometimes hostile, modes of
activism most commonly associated with social justice movements.

One of the main values that these groups pioneer is the fact that activism
doesn’t have to mean taking to the streets in loud and hostile actions, it could
be as simple as placing a craft object in an unusual space or simply the act of
crafting."
-Catherine Badcock, 2009

The piece I am contributing to this exhibition is based on a trip I made to Bosnia i Herzegovina in 2005, where I found myself confronted with the physical scars of warfare (people walking through the streets with missing limbs and visible scars), as well as the more overpowering emotional and psychological scars from the traumas of conflict.

This is a photo I took in Mostar, not far from the Croatian border, showing one of the many hand written signs with the legend "DONT FORGET"...



I've been doing some visual research today as I complete this tea cosy, 'Teacosy* Number (Untold number of deaths?); Journey through the debris of conflict Cosy', 2009.
This Youtube video I found has left me speechless with incredulity...it potentially explains why conflict in the Balkans is so prevalent and volatile... You can see more films of death, destruction and mass graves in Bosnia and Serbia on Youtube.

I know it doesn't make for comforting and genteel tea time conversation, however, as part of my commitment to encompass as many aspects as possible from society and the greater human experience, The Teacosy* Revolution does not shy away from gruesome topics, especially when I personally need to process some acquired trauma from one of the most geographically beautiful and historically strategic countries on earth.


'Teacosy* Number (Untold number of deaths?); Journey through the debris of conflict Cosy', 2009

With this tea cosy artwork, I am not taking sides, only depicting aspects of what actually exists in Bosnia i Herzegovina and the ongoing ethnic unease which is seemingly ever present- with three such dynamic cultures sharing the same borders, there are bound to be disputes unless there is the desire to collectively look outside those borders at the bigger picture, I believe.


'Teacosy* Number (Untold number of deaths?); Journey through the debris of conflict Cosy', 2009

I don't claim to have any solutions, nor do I know enough about the region and it's intricate cultural mix...which is why I continue to research and investigate...knowledge is a good way, I have found, to overcome, accept and work with the traumas I have experienced, and more importantly to find physical and creative ways of expressing the trauma. I am really surprised that its taken me nearly 4 years to come around to this experience, to revisit it and work through and with it...and I can confidently say that I want to go back to Bosnia and spend more time observing and experiencing the amazingly intense culture that exists there.


'Teacosy* Number (Untold number of deaths?); Journey through the debris of conflict Cosy', 2009

I wish I did have some answers and some practical solutions to avoid future atrocities in the world...I definitely think though, that ignorance is one of the most destructive qualities on the planet, and that we all have a responsibility to learn, teach, love and share with each other everything we know.
There are always positives, we just have to look for them.

Sunday, 19 April 2009

Going back through my archives of tea cosy history...

I have been meaning to upload images for months, of the second tea cosy I ever made, a crazy-patchwork number I made to use up a bundle of fabric scraps from art projects and patchwork projects (that are long defunct and never really suited me in the first place!)

I've also posted an image (possibly a very naughty thing to do without prior permission form the publishers), of the tea cosy that inspired me to make this crazy patchwork cosy in the first place. The book contains a huge project in northern Tasmania which my artist mother, Claire, worked on and we all helped from time to time as well. Its called Yarns Artwork in Silk, and represents the four seasons in the Deloraine area.






This tea cosy was my everyday cosy when I lived in Battery Point, Hobart seven years ago and I haven't used it since then! I didn't take it with me to France when I went to live in Paris, so that's a strong reason why I started making very different cosies in Europe and gave birth to the Revolution!

Its a nice thing to do to go back and look at what has come before, and to asses what the future can hold...

Sunday, 15 March 2009

Teacosy* Number 12; Molker Milch Leibling at the Dairy, 2009

I finished this tea cosy last night to deliver to the Great Western Tiers Visitor's Centre in Deloraine today. They asked me to lend them a tea cosy because a few people travelling through the area have come in and asked for 'the young woman who makes tea cosies', and they want to be able to give people some information about local artists like myself!

The Deloraine area is becoming well known for its English-style hard cheeses and Dairy industry in general, and so this little tea cosy is a quaint honouring of this industry...and uses Swiss cotton checked fabric I bought at a flea market in Zurich last winter, and the cow's neck collar has the Swiss flag on it (my favourite Gruyere cheese is made locally by a Swiss émigré called Frank Marchant who started Heidi Farm Cheese and who now works for Lactos, a big cheese producing company in the north west of Tasmania (his cheese is the best though!)

Hand embroidered Swiss cotton, with applique silk and old fabric name tags 'Mrs Westbrook', silk, Tasmanian wool interlining, Japanese cotton, brass bell.

Dimensions: 30 x 38cm
Collection: Great Western Tiers Visitor Centre, Deloraine
Photos: The Artist




Wednesday, 11 March 2009

My Newest Delivery...

Last night I finished stitching this tea cosy which some friends commissioned late last year! Time flies when one isn't looking!

The brief from my client friends was to include their dog, Coco, a peony flower and then the rest was up to me...so knowing my friends as I do, I decided to include Tim's vintage Bugatti as well as something a bit silly and English- the rubber duckie with a crown a la 'Hitch Hiker's Guide to the Galaxy' record cover...Tim is English and has a great sense of humour and works in special effects for film as well as being an artist.

His partner Carolyn I haven't known for as long. She's an artist also and so I hope I've included enough that is 'her' on the side with the flower (there wasn't enough 'comfortable' room for Coco on the Bugatti side)?!

I'll see what they think when they come to collect it!

Hand and freehand machine embroidery on silk, mangle cloth, Tasmanian wool, Japanese cotton lining.

This cosy has an additional removable woollen interlining in case the cosy isn't snug enough on the teapot...and where my friends live it gets very cold in winter!

Dimensions: 47 x 44cm
Collection: Tim Whiteley & Carolyn Edgecombe, Tasmania
Photos: The Artist







Monday, 23 February 2009

Hybrid Creature Comforts Cosy, 2009

The cautiously shy Hybrid Creature Comforts Cosy (of the Genus Handfabricatus Teacosii), on its quest for cake and tea near the visitor's car park on top of Mount Wellington in Southern Tasmania, in the Autumn evening light....

This tea cosy I made for a swap I'm doing with fellow Tasmanian textile artist extra-ordinaire, Catherine Badcock (AKA Cat-Rabbit), and I took a lot of inspiration from her own amazing work to create a truly personable tea cosy, with a definite personality and feeding habits....

Devonshire Teas are its main diet...with occasional bursts of cup cake feeding frenzies...this cosy has gone feral and has taken to hovering near tourists' cars in the hope of cake crumbs....

Hand embroidery on Thai silk, French silk and French silk curtain braid, American rabbit fur (gift from a friend there), local deer antler from a Tasmanian deer farm, steel support, Tasmanian wool, laser printed cotton lining (my own design, courtesy of Spoonflower.com), dolls eyes and leather.

Height: 60cm
Photos: Tara Badcock (Location: Mt Wellington, Southern Tasmania)
Collection: Catherine Badcock, Tasmania